Zoom H4n or RT-EVP
#1
Posted 21 September 2010 - 08:31 AM
Thanks
#2
Posted 21 September 2010 - 09:45 AM
The other one while having decent specs also has a lot of junk on it that is likely to cause false positives and other anomalies. You will also get better noise specs on the H4, the quality of the circuitry is better. The RT-EVP is a gimmick, made simply to take advantage of the "Ghost Hunter" market and those who will buy something just because it says it's for ghost hunters. The H4 is a general purpose digital recorder intended for those looking for a decent quality digital recorder. It may not be the best available, but is certainly a step up from a voice recorder, and much better than the RT-EVP
#3
Posted 21 September 2010 - 03:34 PM
CaveRat, on Sep 21 2010, 10:45 AM, said:
The other one while having decent specs also has a lot of junk on it that is likely to cause false positives and other anomalies. You will also get better noise specs on the H4, the quality of the circuitry is better. The RT-EVP is a gimmick, made simply to take advantage of the "Ghost Hunter" market and those who will buy something just because it says it's for ghost hunters. The H4 is a general purpose digital recorder intended for those looking for a decent quality digital recorder. It may not be the best available, but is certainly a step up from a voice recorder, and much better than the RT-EVP
Thank you for the help I'm definitely going to get the Zoom H4n, also do you know if you can have live playback as your recording with the Zoom H4n?
#4
Posted 21 September 2010 - 06:02 PM
#5
Posted 21 September 2010 - 08:10 PM
BTW, I use a TASCAM multitrack cassette system (analog) or a Fostex FR2 (digital) when recording. Mixing and amplification is done with a EVamP2 system using low impedence, balanced inputs and voice band preemphasis filtering ahead of the recorder.
#6
Posted 21 September 2010 - 08:25 PM
CaveRat, on Sep 21 2010, 09:10 PM, said:
BTW, I use a TASCAM multitrack cassette system (analog) or a Fostex FR2 (digital) when recording. Mixing and amplification is done with a EVamP2 system using low impedence, balanced inputs and voice band preemphasis filtering ahead of the recorder.
Thanks for all the help, I can only afford to spend $300 to start with.
#7
Posted 22 September 2010 - 02:59 PM
If you want to save a few bucks, I HIGHLY recommend the Sony PCM-M10 recorder (199 when you add-to-cart and B and H photo). The onboard mic's are the best I have ever heard for an onboard soloution (Primo em-172's with only 14db self noise). Hard to beat for that quality, and impossible to beat at the price. It will outperform the internals on a zoom h4n based off self-noise alone. Featurewise, though, the Zoom is still the way to go.
Either way, you are on the right track with an LPCM recorder. I have been preaching the gospel of higher quality audio for a bit now, and I promise that once you try it, you will never want to go back.
best regards,
Andy
#8
Posted 22 September 2010 - 03:44 PM
ourobouros2k2, on Sep 22 2010, 03:59 PM, said:
If you want to save a few bucks, I HIGHLY recommend the Sony PCM-M10 recorder (199 when you add-to-cart and B and H photo). The onboard mic's are the best I have ever heard for an onboard soloution (Primo em-172's with only 14db self noise). Hard to beat for that quality, and impossible to beat at the price. It will outperform the internals on a zoom h4n based off self-noise alone. Featurewise, though, the Zoom is still the way to go.
Either way, you are on the right track with an LPCM recorder. I have been preaching the gospel of higher quality audio for a bit now, and I promise that once you try it, you will never want to go back.
best regards,
Andy
#9
Posted 22 September 2010 - 05:27 PM
ourobouros2k2, on Sep 22 2010, 03:59 PM, said:
If you want to save a few bucks, I HIGHLY recommend the Sony PCM-M10 recorder (199 when you add-to-cart and B and H photo). The onboard mic's are the best I have ever heard for an onboard soloution (Primo em-172's with only 14db self noise). Hard to beat for that quality, and impossible to beat at the price. It will outperform the internals on a zoom h4n based off self-noise alone. Featurewise, though, the Zoom is still the way to go.
Either way, you are on the right track with an LPCM recorder. I have been preaching the gospel of higher quality audio for a bit now, and I promise that once you try it, you will never want to go back.
best regards,
Andy
#10
Posted 22 September 2010 - 06:19 PM
#11
Posted 23 September 2010 - 01:07 AM
#12
Posted 23 September 2010 - 01:54 PM
The PCM-D50 is a good recorder, but lacks mp3 recording ability (not sure if that is important to you or not) and it is limited to Memory Stick Duo expandable memory. Also no XLR inputs (I feel that all of those factors should be included at it's price point).
Truthfully you will love any of the above mentioned recorders, it's just a matter of what features that you want for what you are wanting to pay.
regards,
Andy
#13
Posted 23 September 2010 - 02:38 PM
ourobouros2k2, on Sep 23 2010, 02:54 PM, said:
The PCM-D50 is a good recorder, but lacks mp3 recording ability (not sure if that is important to you or not) and it is limited to Memory Stick Duo expandable memory. Also no XLR inputs (I feel that all of those factors should be included at it's price point).
Truthfully you will love any of the above mentioned recorders, it's just a matter of what features that you want for what you are wanting to pay.
regards,
Andy
#14
Posted 23 September 2010 - 03:17 PM
These fine recorders are very capable of recording evp's, so don't get discouraged if they don't capture one right away. I think it was close to 14 hours of recording on the PCM-m10 before I finally got one (or three, rather).
Best of luck, and can't wait to hear how you like your new recorder!
Andy
#15
Posted 23 September 2010 - 03:21 PM
miller4505, on Sep 23 2010, 03:38 PM, said:
Any of the mentioned recorders will be a big step up from the 30$ RCA.
But I will caution you, the cheap recorder will get many more EVPs than the better quality ones. Trouble is they are False positives! When you take the plunge to better quality you eliminate the junk that finds its way into cheap stuff and as a result you get far fewer hits. But the ones you do get will be much more reliable evidence. As an example, I use high end recorders and have for some time. With over 4,000 hours of recording analyzed I have exactly 6 segments that I feel are good EVPs. That breaks down to about 30 seconds of good audio out of 4,000 hours.
Regardless of what brand you buy, most quality recorders allow you to set some recording options. For EVP work I recommend the following settings:
1. Record in uncompressed WAV format or other non-lossy mode. Do not use MP3 or CELP based recording.
2. Sample at 96 KBPS or higher.
3. Record in stereo using external mics
4. Use a 24 bit A to D conversion process. I beleive all the recorders we discussed here have that capability.
Beyond that it's a matter of choosing one you are comfortable with. Regarding which mics to use, there are a couple considerations. Phantom power will allow you to use some very good external mics, but be sure the impedence match is correct. The overall sensitivity and low noise figures apply only if the proper match is made. A mismatch will either worsen the S/N ratio or result in lower overall sensitivity. You will need to determine which mic / recorder combination is best for your applications taking portability, cost, performance into account.
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