Audio Amplification
#1
Posted 06 October 2009 - 07:20 PM
We were doing an equipment test investigation at a nearby cemetery, one that we tend to get activity at on a regular basis (this makes it a good training/testing location) and my friend Viktor was using the Super Ear, and we also had a digital recorder going at the same time. At one point, Viktor heard something, like a voice speaking underwater (gurgling, sort of) and he mentions it (you can hear him on the recording saying "Did you guys hear that"), though none of the rest of us heard anything.
So, the next day we're going over the audio that we recorded, and low and behold, there is a gurgling voice, followed by Viktor saying "Did you guys hear that?" Basically, none of us heard anything with our ears, but both the recorder AND the Super Ear were able to "hear" this unusual sound. I should also note that the recorder's mic sensitivity was set to medium/low, so it should have only been picking up sounds from our immediate area, and nothing so far away as what the Super Ear was picking up.
Now, we use the Super Ear often (though Viktor went for a while without using, saying that the things he heard were just too creepy, lol) and we're looking into picking up a couple more, probably some that are a little higher end.
So, like I said at the beginning, I was just wondering if anyone else had heard of something like this being used, or used something like themselves.
AMdG
There is no one true way.
#2
Posted 06 October 2009 - 07:37 PM
My system uses two cardioid electret microphones (non-inductive) feeding into a pre-amp with voice band emphasis. The out put of this unit goes to a set of headphones as well as a stereo cassette recorder. At times I will use inductive pickup sensors in place of the microphones since some EVP has been theorized to be electrivcal rather than audible. But either may produce EVP, so the jury is still out on that issue.
#3
Posted 06 October 2009 - 11:18 PM
#4
Posted 07 October 2009 - 08:43 AM
afterlife, on Oct 7 2009, 12:18 AM, said:
Actually you can determine that information but that is what I meant by requiring additional care. You can do this by recording ambience in the area you are monitoring. This is a sample recording which can later be used as a baseline to determine how the particular area in question "sounds" naturally. This can be compared on an oscilloscope to determine if a possible EVP exhibits the same characteristics. From that validity can be determined. Not something the average person has the equipment to do, however it can be done. Plus you need high quality (no digital voice recorders!) audio to work with, preferably recorded in stereo.
Another method if the source is audio is the use of spatial analysis. This involves timing the audio arriving at two microphones placed a known distance apart. Since sound travels at a known speed it becomes possible to calculate the direction from the mics where the sound originated since it arrives at each mic at a different time, milliseconds apart. The time difference represents the angle from the mics where it originated. Again stereo is required and high quality audio needed as well as a dual trace oscilloscope capable of displaying time lead / lag between the traces.
#5
Posted 07 October 2009 - 04:13 PM
AMdG
There is no one true way.
#6
Posted 07 October 2009 - 04:33 PM
Arius, on Oct 7 2009, 05:13 PM, said:
AMdG
#7
Posted 07 October 2009 - 05:44 PM
I'm still on the lookout for a good preamp to use for my cassette recorder. I also got hold of a decent 4 track recorder that will layer all 4 channels at the same time so I can mike different points in the room to sort of map where any potential sounds are coming from in real time analysis. Think I will experiment with it a bit before I try amplifying any recordings with it.
#8
Posted 07 October 2009 - 05:51 PM
OMPRDave, on Oct 7 2009, 06:44 PM, said:
I'm still on the lookout for a good preamp to use for my cassette recorder. I also got hold of a decent 4 track recorder that will layer all 4 channels at the same time so I can mike different points in the room to sort of map where any potential sounds are coming from in real time analysis. Think I will experiment with it a bit before I try amplifying any recordings with it.
#9
Posted 07 October 2009 - 06:11 PM
#10
Posted 07 October 2009 - 06:25 PM
None of us heard the sound with our ears.
Viktor (one of my investigators) had the Super Ear on, and he heard it through the headphones that were connected to the Super Ear.
When we went back to review evidence, we heard the sound on the recorder, right after Viktor mentions what he heard on the Super Ear.
AMdG
There is no one true way.
#11
Posted 07 October 2009 - 06:45 PM
#12
Posted 08 October 2009 - 08:00 AM
The super Ear, I can't say. All high gain amplifiers require very good shielding to prevent interference from outside sources. If this has that then we would have to look for something else. If shielding is poor, then it would be susceptable to the same fields as the recorder. Thus both devices could pick up on it. It is clear, since both devices picked up, that SOMETHING was there. Without knowing details on how well shielded the devices were I can't say what though.
OMPRDave, on Oct 7 2009, 06:44 PM, said:
I'm still on the lookout for a good preamp to use for my cassette recorder. I also got hold of a decent 4 track recorder that will layer all 4 channels at the same time so I can mike different points in the room to sort of map where any potential sounds are coming from in real time analysis. Think I will experiment with it a bit before I try amplifying any recordings with it.
Dave, what make / model 4 track did you get? Most only allow two track recording without modifications. (I modded a Tascam Ministudio to do 4 track simultaneous record). Just curious....
#13
Posted 09 October 2009 - 08:42 PM
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